Wednesday, 28 January 2015

Twitter fiction. Why do we tweet?


 Bird whisper:
Twitter fiction means addiction.
 Haiku choice in  bird’s voice.

Twitter and Haiku. Two inventions. Why do we need them? Story, nature (birds), strict structure.
Haiku Japanese poems follow a certain organization (three lines, totaling 17 syllables). Twitter: not more than 140 characters. I am just thinking now: tweeting is what the birds do when they feel safe in the forest -they will only stop if they spot a threat! People, on the contrary, will set up a #TwitterRevolution.  Why do we tweet? It is handier for humans, I guess… Twitter has 200 million active users. Among these, some of them are preoccupied with #Twitterfiction. By the way, #twitterfiction has been first mentioned in 2008:



It means:

 I am still looking to see why people use Twitter:

Ruth Page, in her Twitter research says that “finding information from people you never met in the offline world is really attractive” (BBC Radio Leicester Interview, 2011). Andrew Fitzgerald says that it is attractive to use the social media, because Twitter allows “fictional characters [to] engage with the real world” (2013). My opinion is that the engagement is bidirectional: real world is immersed in virtual reality, and vice versa. However, both worlds are realities to me. Another reason: people  use Twitter because “we are still hungry for narrative. New mediums aren’t destroying fiction, they’re allowing us to innovate even more on how we create and consume our stories” (King, 2013). Isn’t it awesome that we can write haiku on Twitter?

Digital haiku tweet cuckoo.
Fictional birdie
Follows a tree.

References:
Andrew Fitzgerald (October 2013).Adventures in Twitter Fiction.Ted Talks. Retrieved from:
Rita J. King, (2013).How Twitter is Reshaping the Future of Storytelling.
Page, R. (2011). BBC Radio Leicester Interview with Ruth Page on her Twitter


1 comment:

  1. I have a series of haiku contributed by Japanese to a newspaper that sponsored contests annually for a few years in the 89s-90s. Unlike the traditional haiku that revered nature, these haiku were open season on any topic whatsoever. I will see if I can dig them out for you and bring them to Spring Institute.

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